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Frankenstein Monster is a Cut Up, Brundlefly is a Mashup

 

A few nights ago I presented Red Riding Hood Remix: Innovation Through Storytelling wherein I discussed creative methods for looking at things from different perspectives. One of those methods was the Cut Up. The Cut Up is very simple: take a few sheets of paper and “cut it up” in quarters or eighths. Then mix up the pieces and paste them together randomly. Rewrite the randomly placed words, filling in gaps and adjusting for disruptive grammar. Turn it into poetry.

 

This should not be confused with Mashups. A Mashup is very similar to a Cut Up, but it requires a different set of skills. A great Cut Up artist, like William S. Burroughs (author of The Naked Lunch), can turn random words into psychedelic prose through it’s jarring and disharmonious nature. A great Mashup artist, like DJ Earworm, must listen to different material and find synchronous (or similar) elements first and THEN make precision cuts (samples) to re-fit and overlap into one harmonious track. One is a tearing apart and reconstructing, the other is fusing together and blending.

 

It’s kind of like the Frankenstein Monster (cut up) versus Brundlefly (mashup). One is patched together from various body parts dug out of a graveyard by a humpbacked assistant (from Mary Shelly’s book Frankenstein), and the other is genetically spliced together with the DNA of a common housefly during teleportation (from David Cronenberg’s remake of The Fly). I realize that neither of these examples make Cut Ups or Mashup very visually appealing. But perhaps this will:

 

 

DJ Earworm mashed together the top songs of 2009. There is something uncanny about mashing 25 songs into a catchy four-and-a-quarter minute song, but he manages to squeeze in the entire Billboard Top 25, and make a decent video at the same time. And it doesn’t sound like a mess, it sounds like a legitimate chart-topper on it’s own (borrowed) merit. At present it has close to ten million views on YouTube. Who says you can’t splice and dice and make something beautiful? (I now have The United State of Pop 2009 mp3 on my iPhone)

 

I am going to add Splice and Dice as another Creative Method to use during ideation: harmoniously fuse elements of similar mediums together, and if they don’t quite fit, use a shoehorn (or pitch-shifter or teleporter).

Posted via email from Jason Theodor’s Creative Method and Systems Channel

 

· This entry was written by jted, posted on January 31, 2010 at 12:25 am.
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Red Riding Hood Remix: Innovation Thru Storytelling

It was an honour to present at FlashinTO tonight to a packed audience of (mostly) students who bravely presented their portfolios and listened to the collective wisdom of a panel of educators.

My material was beta tested on the crowd after they had sated themselves with pizza and had a few beers. This is exactly the kind of audience any presenter wants: relaxed, full, responsive. Thank you to each and every one of you who came out and stayed to the end.

This content will be fuel for more creative application and innovation based talks this year. Please view the slide show and feel free to leave comments or questions below.

Posted via web from Jason Theodor’s Creative Method and Systems Channel

· This entry was written by jted, posted on January 28, 2010 at 9:56 am.
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The Creative Art of Visualizing Sounds

I will never forget Steve Jobs selling the Visualizer in iTunes. He said something like, “We all know what music sounds like, but what does music look like.” That was a stretch, even for Steve, and I could feel the reality distortion field strain to its limits. Ever since that moment, I have chosen to dislike the randomized, computer-generated psychedelic oscilloscopes built into music players.

But when you put sound visualization in the hands of an artist, someone who tries to feel the audio and express it with meticulous, purposeful motion graphics or detailed CGI… that’s something I can get excited about. Putting Content on Content, forcing the expression of a medium through a completely different lens or filter, is a great creative method for innovative artistic expression. In this case it is forcing audio through the prism of motion design.

Vanishing Point is an eclectic, designy new animation from Bonsajo. Watching it, I was reminded of an old Autechre video called “Gantz Graf” which was ridiculously cool back in 2002.

Posted via web from Jason Theodor’s Creative Method and Systems Channel

· This entry was written by jted, posted on January 26, 2010 at 3:38 pm.
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Seth Godin Just Poured Gasoline On My Soul And Lit A Match

I don’t think success is showing up, doing what you’re told and then going home and watching television… I think many people in [advertising] aren’t artists, actually, but people working hard to do a job or please a client. Artists do more than that. They inflame critics and they make change and they do things that makes themselves and others uncomfortable.

I have already pre-ordered Linchpin: Are You Indispensable?, which will be electronically delivered to my Kindle tomorrow.

Posted via web from Jason Theodor’s Creative Method and Systems Channel

· This entry was written by jted, posted on at 12:39 am.
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Haiti: 360° Video Tours of Devastation

Immersive Media has created something akin to Google Street View, but instead of static images, it is full video and sound. It is strangely like being there to watch a two minute movie and choose where you want to look, as you sit atop a white truck and drive through the devastation in Haiti. There are more videos on Immersive Media’s website.

Posted via web from Jason Theodor’s Creative Method and Systems Channel

· This entry was written by jted, posted on January 22, 2010 at 11:32 pm.
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Annotated Video Killed The Dot Com Star

Someone over at Kokokaka.com was feeling creative this year and built a ‘playable’ 17-note piano using the power of YouTube Annotations. [Thanks to @leighh for sharing.]


This reminded me of hubs and spokes. Hubs—the websites and dot coms of the world, the ‘traditional’ destinations of the web— are slowly losing their place to the spokes—the outward strands of conversation and ’supporting’ media, the flickrs and youtubes and twitters and facebooks. Boone Oakley decided to play with Annotations too, but they upped the ante. They gave up their website altogether, and redirect all BooneOakley.com traffic to their ‘choose your own ad venture’ video. It goes to show that each incremental feature upgrade, each new communication technology, can be used to tell stories in new ways.

Posted via web from Jason Theodor’s Creative Method and Systems Channel

· This entry was written by jted, posted on January 20, 2010 at 12:45 am.
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The “I’m Feeling Lucky” Business Card

· This entry was written by jted, posted on January 18, 2010 at 9:46 pm.
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Creativity Is Subtraction

Sometimes the best way to create something new is to remove the most important elements. Austin Kleon, author of Newspaper Blackout, removes words from articles until only poetry remains.

Or if you are Dan Walsh, you remove the main character from a comic strip and are left with a depressing (and hilarious) look into the collapsing mind of Jon Arbuckle in Garfield Minus Garfield.

The next time you are searching for inspiration, try taking something crucial away from a project and take a good look at what is left. It might just be better without it.

Posted via web from Jason Theodor’s Creative Method and Systems Channel

· This entry was written by jted, posted on January 17, 2010 at 11:45 pm.
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A Tale Of Two Dots: From Metal Music to Frozen Treats

According to the Highland Park Public Library archives in Illinois, which date back as far as 1888, there is no umlaut in the word umlaut

According to Melvil Dewey, inventor of the Dewey Decimal System back in 1876, books about umlauts would fall in the 400s (the call numbers for Language). 

According to the 400s, German writing system & phonology falls on call number 431. 

According to Bronx history, Häagen-Dazs was first sold in New York in 1961 by Polish immigrants Reuben and Rose Mattus. 

According to foodies and linguists alike, the words Häagen and Dazs are nonsensical, but meant to sound (and look) Scandinavian in nature. 

According to music history, the Blue Öster Cult adopted the umlaut in 1970*.

According to metal fans, Motörhead, Mötley Crüe, and Queensrÿche were the best known umlaut riddled bands of the 70s and 80s.

According to Icelandic folklore, eccentric singer/performer/actor/writer/musician/producer Björk Guðmundsdóttir has an official license to use her umlaut without having to pay royalties.

According to climatologists, If you don't like the weather in Iceland, just wait five minutes.

According to meteorologists, however, the mean minimum January temperature in Reykjavík (-3°C) is cold enough to freeze yogurt.

According to the mall culture of Eastern Canada, frozen yogurt was a multi-million dollar industry by the mid 80s, taking a large market share from ice-cream manufacturers.

According to my own experience, Yogen Früz frozen yogurt was the hippie version of the Diary Queen Blizzard back in 1986.

According to Yogen Früz, their 'u' and umlaut combination creates a convenient vertical emoticon of probiotic bliss.

* As an aside, who would have guessed that a fake umlaut on Polish ice-cream from the Bronx, could have influenced heavy metal? And who would have guessed that it would even influence fake metal bands like Spinal Tap (with an umlaut over the 'n') and Deathtöngue.

Posted via email from Randomography

· This entry was written by jted, posted on January 16, 2010 at 7:50 pm.
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This Is Not A Font

There’s something about photography mixed with hand lettering that elevates both mediums. I love old postcards with ball-point scribbles on the front. I love Polaroids signed with a Sharpie. I love movie titles that don’t use fonts.

On the blog notebook doodles, the letterer is so good that she has a disclaimer in the sidebar:

Posted via web from Jason Theodor’s Creative Method and Systems Channel

· This entry was written by jted, posted on January 15, 2010 at 10:39 pm.
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